Avant-garde Theater In Iran - The Art And Politics, The Politics Of Art : To say that art is always political, even when it is unclear politically engaged, it is a truism often used by artists who do not want to do the hard work that appears on or display (generally conservative in the sense of contributing to the situation current) policy of his art. I heard most often this commonplace of the poets is not a better answer to the question of whether poetry should be politically engaged, and I think often the answer lies in their own fault that his work important issues day . (Of course, there are also poets, not to mention academics, publishers, politicians and others, who are conservative, plain and simple, who refuse to acknowledge that the impulse to poetry often emerges directly from politics, such as those who would lionize a poet like Langston Hughes, but only as long as his work is presented in its most deracinated form.) Yet there are, of course, contexts in which are is always political and the the Islamic Republic of Iran is one of them. This video is an experimental theater group called naqsh is nice, I guess, but what makes it particularly moving, interesting, and political, as well as to its content, since they only think about what it means in Iran seems all the contours of the body A woman is shown here, is that the group can only be done in front of 10 or 15 people publicly Director Sahar Eftekharzade. (You can read the full article on Tehran Bureau.)
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